Showing posts with label Dreams. Show all posts
Showing posts with label Dreams. Show all posts

Friday, October 29, 2010

The Little Prince

My God Daughter's christening is tomorrow, and my mother instructed me to buy her something that "she will have forever".  Well, whatever I got for my Christening (a silver spoon?  a rattle?) is long gone.  So what kind of gift will you really have forever?  Answer:  A book.

This led me to a book shop where I bought a hard-backed copy of "The Little Prince", and promptly started spazzing-out with the shop assistant about what an incredibly, amazing work of literature it is.

I like it just a little bit!




It's ostensibly a children's book, and for a child it's a great read.  But when I picked it up again as a teenager, I realised what a rare gem it is.


It tells the story of a man who, stranded in the desert, meets a strange little boy.  This little Prince has left his home planet to explore the universe.  Through his adventures, and his innocence, the book makes touching observations about life and human nature.

For me, the most potent moments in the book are the relationship he develops with the little fox that begs to be tamed ("You become responsible, forever, for what you have tamed"), and his departure from the planet, which leaves the narrator and reader in a state of ambiguity about life and the after-life.


Originally written in French by the writer Antoine de Saint-Exupery (who did many of the illustrations), it's less than 100 pages long, and it's just beautiful.  Read it here. 


A graphic novel has just been brought out.  For me it's sacrilegious, but out of interest... 


And if you're lazy, you can always watch the cartoon ;)




Wednesday, September 1, 2010

Life is a tightrope

The Flying Wallendas are a world-famous tight rope walking family. One of their unique features is that they train and perform without the use of a safety net.

When asked about their success, the mother responded that because they don't use a safety net, every step is life or death. This is the greatest motivation one can have to do their best.

Perhaps in life, when things are too easy, we don't strive for our full potential. Instead of being limited by fears of failure, maybe we could be motivated by the desire to live.



Thanks to my good friend Elizabeth Gaffney for sharing this story with me. Check out her London shopping site here: http://www.shophoppingmap.com/

Sunday, March 21, 2010

More on the theme of "Dreams-and-following-them"

I thought I'd share the story of Steven Spielberg's rise to success. I'm not the man's number one fan or anything, but I love this story because it illustrates the power of the individual to create opportunities. As they say: "A real man makes his own luck". Props to Spielberg for having the courage and imagination to do it.

Steven dreamed of being a movie director from childhood. He began amateur films with a primitive camera when he was still a child and the dream never subsided.



How Spielberg broke into Universal Studios is a legend in the movie industry. He took the Universal Studios Tour, an attraction that enables visitors to get an inside look at the movie business. Visitors ride around the studio lots on a tram. Steven sneaked off the tram and hid between two sound stages until the tour ended. When he left at the end of the day, he made a point of saying a few words to the gate guard.

Day after day, he went back to the studio for three months. He walked past the guard, waved at him, and he waved back. He always wore a suit and carried a briefcase, letting the guard assume he was one of the students with a summer job in the studio. He made a point of speaking to and befriending directors, writers and editors. He even found a vacant office, took it over and listed his name in the building directory.

He made it his business to get to know Sid Sheinberg, then head of production for the studio’s television arm. He showed him his college film project, which so impressed Sheinberg that he put the young man under contract with the studio.

His first full-length film, The Sugarland Express, received critical acclaim and won a best screenplay award at the 1974 Cannes Film Festival. Unfortunately, it did not do very well at the box office.

His big break came a year later when he discovered the book Jaws. The studio had already decided to produce Jaws and had chosen a well-known director to film it.

Spielberg desperately wanted to make this movie. Despite the financial failure of The Sugarland Express, his self-confidence had not diminished and he persuaded the producers to dismiss the chosen director and give it to him.

It was not an easy assignment. From the beginning trouble beset the production. It ran into technical and budget problems. However, when Jaws was released in June 1975, it enjoyed twofold success: it broke box office records, and the critics loved it. Within a month of its release, the film had taken in 60 million dollars at the box office, an unheard-of amount at the time.

Over the next few years, Spielberg directed several movies, including the popular Indiana Jones series. He later directed Jurassic Park , which would also become – at its time – the most successful movie in history, the third Spielberg film to break the record. It also brought in over one billion dollars in gross receipts, toys and other merchandise.

Spielberg continues to pursue his dreams. When he and two other Hollywood moguls created their own production company, they called it ‘Dreamworks’.

(taken from "Think and Grow Rich" by Napoleon Hill which, incidentally I'd really recommend reading if you have a burning desire to be successful in whatever field you're in.)

Sunday, March 14, 2010

Follow your dreams

I remember my school journals from when I was a teenager. Between the pages reserved for 40 weeks of homework there were little snippets of wisdom. Every week was framed by a quote from someone like Goethe or Ralph Waldo Emerson, and at intervals a couple of pages were devoted to inspiring poems.

I still remember one of these poems:

"Follow your dreams wherever they lead,
don`t be distracted by less worthy needs...
Shelter them, nourish them, help them grow,
Let your heart hold them down deep where dreams go."

The irony of printing a poem like that in a school journal didn't register that with me as a teenager. Back then I didn't see the education system the way I see it now: a funnel that promotes one dream, and one mode of success.

When we were younger we all had dreams and visions of where our lives would go. We indulged in them, we fantasised, but we were not encouraged to take them seriously. (In fact, I distinctly remember scribbling out the word "dream" in a friend's journal, and replacing it with "dick". Evidently I haven't matured much since then, cos' that still makes me laugh ;) )

We grow older quickly. We become adults with paths and responsibilities, but our unfulfilled dreams don't die. We feel them at the back of our minds, nagging us. We plough ahead and don't entertain these ideas of what our lives might have been. But every now and again, in moments of stillness, they surface, and drive us mad.

I am so honoured to say that, difficult as it is, I'm following my passion. But sometimes I wonder how it happened. I wasn't an "artist" growing up, so it never even occurred to me that I might be creative (even though I wrote poems, stories, songs, played instruments and sang). No one in my family is in a creative field, and I wasn't encouraged to pursue one. I always knew I wanted to create stories that touched people, but what gave me the impetus to pursue this shadowy path?

I think it's because I never stopped dreaming.


"Follow your dreams pursue them with haste;
Life is too precious too fleeting to waste...
Be faithful, be loyal, then all your life through,
the dreams that you follow will keep coming true..."
~ Larry S. Chengges


Do it.

Saturday, March 13, 2010

Edit Sweet - I stand corrected!

I had a mini-rant the other day about how the judges of the Oscars tend to overlook the skills of great editors, and just lump "Best Editing" in with "Best Picture". However, an editor friend of mine had a different perspective on it. He basically said that the reason "Best Editing" and "Best Picture" go hand-in-hand is BECAUSE the edit is so crucial to the overall quality of the film. This I totally agree with. He explains things really well here, so I'm giving him a little guest slot today ;) Thanks Catalin!

I actually don't fully agree with this. For me, it makes sense that the editing and the picture wins. I believe that (in fiction) pictures get their full potential through juxtaposition, ie what comes before, what come after, what is being referenced in the film later. This is very much about editing, so editing defines the nature of the pictures and vice versa. It is like a symbiosis. I am not talking about merely technical achievements (nowadays with the right kit and money anyone can produce stunning shots). I mean how pictures speak to the audience, how they tell a story intellectually (what we see) and emotionally (what we feel). And this, is determined by the way they are put together. Simple example: the cross-cutting scene in "Seven" when Pitt and Freeman investigate the case in different locations (library/home): the camera is more than just beautiful, it describes the character to us in a very empathetic way, plus creates a personal POV that the audience feels (we have learnt far earlier that the two characters a diametrically opposed). But these aspects of the cinematography come to light by being edited together. Through the excellent cross-cutting, those low/high angles, those blue/orange tones and those nice tracking shots (vs still shots) get a new level of meaning. So, when storyboarding the director thinks in terms of cinematography and editing in tandem, and if one turns out to deserve an Oscar, chances are the other skill will, too.

It is a whole different issue with documentaries, especially on-the-fly docos. Those might have crap cinematography, but the editing might be brilliant. I think they should actually introduce an Oscar category "Documentary editing", so that these poor people get some recognition. That's our fate: Edit brilliantly, and no one talks about you. Make one mistake, and every one jumps on you. Anyway, I like working in the background. Maybe that's my "feminine" side :-)


Catalin is an editor / film maker / lecturer, and you can see his work at http://www.catalinbrylla.com
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