November may not be good for many things, but believe it or not, it's an exciting time in the fashion world. Why? Because on the 30th of November, a new Pirelli Calender is unveiled!
This year there's even more of a buzz, because tomorrow the first-ever documentary about "The Cal" ('The Saga of the Pirelli calendar' created by Emmanuel Le Ber) will be broadcast on the French TV channel Paris Premiere. So I thought now would be a good time to trip down memory lane and revisit some of the Pirelli calendar's memorable moments.
Every year a renowned photographer from the fashion world is invited by tire company Pirelli (yes - tire company), to take a series of images that celebrate the female form. Only 40,000 calendars are produced, and are gifted to celebrity VIPs and a restricted number of Pirelli customers. Every calendar becomes a collectors item, and nearly every fashion photographer wants to be behind one.
So how does a tire company end up creating and sustaining one of the most coveted possessions in the fashion world?!
Actually, the Pirelli Calendar was intended to be an auto-garage pin-up "girly calendar". Pirelli Ltd in the UK decided to issue a Calendar as a gift for their top U.K. customers. In 1964 they got Beatle's photographer Robert Freeman to take the snaps. The images were so beautiful that the calendar was released for distribution. It was an instant sensation
The early editions had a European refinement: they were sunny, simple, and almost wholesome.
In 1970 French photographer Francis Giacobetti brought a new sophistication to the pictures. Oozing sensuality, they were tactile, warm, and erotic.
The 1972 edition was the first to include topless images. Sarah Moon, a British fashion photographer, was a surprising choice: partly because no woman had been hired before, and partly because she was unpopular with journalists. Nonetheless, she took the calendar in a distinct new direction: choosing petite models, and creating delicate images filled with feminine intimacy. Many of Pirelli's calendar customers complained that the 1972 calendar had 'lesbian' qualities.
From here on, the calendar became as much about story-telling as sex.
Depending on how good (or bad) the documentary is, I'd like to revisit this topic, looking at each year in-depth. The calendar reflects changing perceptions of beauty and taste. There's a lot to discuss!
By the way, this post will feature tomorrow on Irish Fashion Blog What Will I Wear Today, where I've recently become a guest blogger. It's a great site - check it out!
The 2011 Pirelli calendar was shot by Karl Lagerfeld in Paris earlier this year. It features Isabeli Fontana, Heidi Mount, Bianca Balti, Lara Stone, Natasha Poly, Iris Strubegger, Elisa Sednaoui, Magdalena Frackowiak, Julianne Moore. It will be unveiled in Moscow on the 30th of November.
This year there's even more of a buzz, because tomorrow the first-ever documentary about "The Cal" ('The Saga of the Pirelli calendar' created by Emmanuel Le Ber) will be broadcast on the French TV channel Paris Premiere. So I thought now would be a good time to trip down memory lane and revisit some of the Pirelli calendar's memorable moments.
Every year a renowned photographer from the fashion world is invited by tire company Pirelli (yes - tire company), to take a series of images that celebrate the female form. Only 40,000 calendars are produced, and are gifted to celebrity VIPs and a restricted number of Pirelli customers. Every calendar becomes a collectors item, and nearly every fashion photographer wants to be behind one.
So how does a tire company end up creating and sustaining one of the most coveted possessions in the fashion world?!
Actually, the Pirelli Calendar was intended to be an auto-garage pin-up "girly calendar". Pirelli Ltd in the UK decided to issue a Calendar as a gift for their top U.K. customers. In 1964 they got Beatle's photographer Robert Freeman to take the snaps. The images were so beautiful that the calendar was released for distribution. It was an instant sensation
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| Sonny Freeman-Drane, wife of Robert Freeman, and reputed lover of John Lennon. |
The early editions had a European refinement: they were sunny, simple, and almost wholesome.
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| Photographer: Brian Duffy, 1965 |
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| Photographer: Peter Knapp, 1966 |
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| Photographer: Harri Peccinotti, 1969 |
In 1970 French photographer Francis Giacobetti brought a new sophistication to the pictures. Oozing sensuality, they were tactile, warm, and erotic.
The 1972 edition was the first to include topless images. Sarah Moon, a British fashion photographer, was a surprising choice: partly because no woman had been hired before, and partly because she was unpopular with journalists. Nonetheless, she took the calendar in a distinct new direction: choosing petite models, and creating delicate images filled with feminine intimacy. Many of Pirelli's calendar customers complained that the 1972 calendar had 'lesbian' qualities.
From here on, the calendar became as much about story-telling as sex.
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| Uwe Ommer, 1984 |
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| Bert Stern, 1986 |
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| Arthur Elgort, 1990 |
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| Clive Arrowsmith, 1991 |
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| Richard Avedon, 1995 |
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| Bruce Weber, 1998 |
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| Mario Testino, 2001 |
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| Nick Knight, 2004 |
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Mert Alas and Marcus Piggott, 2006 |
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| Patrick Demarchelier, 2008 |
Depending on how good (or bad) the documentary is, I'd like to revisit this topic, looking at each year in-depth. The calendar reflects changing perceptions of beauty and taste. There's a lot to discuss!
By the way, this post will feature tomorrow on Irish Fashion Blog What Will I Wear Today, where I've recently become a guest blogger. It's a great site - check it out!
The 2011 Pirelli calendar was shot by Karl Lagerfeld in Paris earlier this year. It features Isabeli Fontana, Heidi Mount, Bianca Balti, Lara Stone, Natasha Poly, Iris Strubegger, Elisa Sednaoui, Magdalena Frackowiak, Julianne Moore. It will be unveiled in Moscow on the 30th of November.
2 comments:
He is simply amazing!!!
Hi, nice article... maybe, some day, they'll invite me :D...
I keep on learning in the mean time :D
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