Light is only visible when it strikes something. Alexander Harding’s "Visible Light"" series makes us see it in a whole new way.
Harding says: "When I make these pictures, I track light over several days and make
notes about its location at various times.I usually make drawings and
smaller digital pictures to get a general idea of what I want. Light
moves very fast so I have to be quick when making the final picture,
which is hard with an 8x10. I make very long exposures and sometimes
use steam or a fog machine to give the light a more discernable shape
in the registered image."
Showing posts with label Photography. Show all posts
Showing posts with label Photography. Show all posts
Wednesday, December 8, 2010
Wednesday, December 1, 2010
Pirelli Calender 2011 unveiled!
For fashion photographers all over the world, yesterday was one
of the biggest days of the year, as the 2011 Pirelli Calendar was revealed.
![]() |
Daria Werbowy as Artemia |
This year's issue was particularly
anticipated. Partially because it was photographed by Karl Lagerfield, an institution in
himself, but also because this was the first 'Cal' to feature men as
focal point models. A controversial decision, but Karl Lagerfield does
what he wants!
![]() |
| Baptiste Giabiconi as Apollo, the Sun God |
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| Iris Strubegger as Athena, Goddess of Wisdom and War |
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| Erin Wasson as Ajax, Trojan Hero |
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| Julianne Moore as Hera, Wife of Zeus and Goddess of Marriage |
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| Elisa Sednaoui as Flora, Goddess of Flowers |
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| Garett Neff, flanked by Isabeli Fontana and Biana Balti as Bacchus (God of Wine) and "two Bacchantes" |
......... Oh - sorry, I fell asleep mid-sentence. Karl Lagerfield - what have you done? This is one of the dullest Pirelli Calendars I've ever seen! Everything is uninspired - the poses, the costumes, the facial expressions.
His reasoning for shooting Greeks and Roman Deities in a darkened Parisian studio? A beach is "too obvious". The man makes a good point. We all know that a beach is the only possible location in the world to do a fashion shoot. Especially a theme like "Mythology". I mean, where else could you possibly shoot Ancient Greek and Roman Gods? Certainly not Greece or Rome.
What a wasted opportunity. How cool would it have looked to have the Pantheon in Rome as the backdrop? This is nearly as bad as last year's photographer Terry Richardson going to Brazil and producing photos that look like they were taken by a hick farmer outside his shed in Alabama.

Lagerfeld said
that he produced “the visual version of Homer. I did with my camera
what he did with his pen, although we understand that he probably
didn't use a pen.” Granddad, with such a knowledge of literature you're clearly being wasted in fashion.
Verdict? Lazy and uninspired. Go to the back of the class.
And Pirelli? Bring back 1984's Uwe Ommer! (and beaches if needs be)
![]() |
Labels:
1984,
2010,
2011,
Fashion,
Karl Lagerfield,
Models,
Nudity,
Photography,
Pirelli Calendar,
Terry Richardson,
Uwe Ommer
2
comments
Thursday, November 18, 2010
Carpaccio Magazine
Cool online magazine for photography, art and design.
http://www.carpacciomagazine.com/current-issue/
http://www.carpacciomagazine.com/current-issue/
Labels:
Art,
graphic design,
magazine,
Photography
1 comments
Friday, November 12, 2010
The Pirelli Calendar
November may not be good for many things, but believe it or not, it's an exciting time in the fashion world. Why? Because on the 30th of November, a new Pirelli Calender is unveiled!
This year there's even more of a buzz, because tomorrow the first-ever documentary about "The Cal" ('The Saga of the Pirelli calendar' created by Emmanuel Le Ber) will be broadcast on the French TV channel Paris Premiere. So I thought now would be a good time to trip down memory lane and revisit some of the Pirelli calendar's memorable moments.
Every year a renowned photographer from the fashion world is invited by tire company Pirelli (yes - tire company), to take a series of images that celebrate the female form. Only 40,000 calendars are produced, and are gifted to celebrity VIPs and a restricted number of Pirelli customers. Every calendar becomes a collectors item, and nearly every fashion photographer wants to be behind one.
So how does a tire company end up creating and sustaining one of the most coveted possessions in the fashion world?!
Actually, the Pirelli Calendar was intended to be an auto-garage pin-up "girly calendar". Pirelli Ltd in the UK decided to issue a Calendar as a gift for their top U.K. customers. In 1964 they got Beatle's photographer Robert Freeman to take the snaps. The images were so beautiful that the calendar was released for distribution. It was an instant sensation
The early editions had a European refinement: they were sunny, simple, and almost wholesome.
In 1970 French photographer Francis Giacobetti brought a new sophistication to the pictures. Oozing sensuality, they were tactile, warm, and erotic.
The 1972 edition was the first to include topless images. Sarah Moon, a British fashion photographer, was a surprising choice: partly because no woman had been hired before, and partly because she was unpopular with journalists. Nonetheless, she took the calendar in a distinct new direction: choosing petite models, and creating delicate images filled with feminine intimacy. Many of Pirelli's calendar customers complained that the 1972 calendar had 'lesbian' qualities.
From here on, the calendar became as much about story-telling as sex.
Depending on how good (or bad) the documentary is, I'd like to revisit this topic, looking at each year in-depth. The calendar reflects changing perceptions of beauty and taste. There's a lot to discuss!
By the way, this post will feature tomorrow on Irish Fashion Blog What Will I Wear Today, where I've recently become a guest blogger. It's a great site - check it out!
The 2011 Pirelli calendar was shot by Karl Lagerfeld in Paris earlier this year. It features Isabeli Fontana, Heidi Mount, Bianca Balti, Lara Stone, Natasha Poly, Iris Strubegger, Elisa Sednaoui, Magdalena Frackowiak, Julianne Moore. It will be unveiled in Moscow on the 30th of November.
This year there's even more of a buzz, because tomorrow the first-ever documentary about "The Cal" ('The Saga of the Pirelli calendar' created by Emmanuel Le Ber) will be broadcast on the French TV channel Paris Premiere. So I thought now would be a good time to trip down memory lane and revisit some of the Pirelli calendar's memorable moments.
Every year a renowned photographer from the fashion world is invited by tire company Pirelli (yes - tire company), to take a series of images that celebrate the female form. Only 40,000 calendars are produced, and are gifted to celebrity VIPs and a restricted number of Pirelli customers. Every calendar becomes a collectors item, and nearly every fashion photographer wants to be behind one.
So how does a tire company end up creating and sustaining one of the most coveted possessions in the fashion world?!
Actually, the Pirelli Calendar was intended to be an auto-garage pin-up "girly calendar". Pirelli Ltd in the UK decided to issue a Calendar as a gift for their top U.K. customers. In 1964 they got Beatle's photographer Robert Freeman to take the snaps. The images were so beautiful that the calendar was released for distribution. It was an instant sensation
![]() |
| Sonny Freeman-Drane, wife of Robert Freeman, and reputed lover of John Lennon. |
The early editions had a European refinement: they were sunny, simple, and almost wholesome.
![]() | ||
| Photographer: Brian Duffy, 1965 |
![]() |
| Photographer: Peter Knapp, 1966 |
![]() |
| Photographer: Harri Peccinotti, 1969 |
In 1970 French photographer Francis Giacobetti brought a new sophistication to the pictures. Oozing sensuality, they were tactile, warm, and erotic.
The 1972 edition was the first to include topless images. Sarah Moon, a British fashion photographer, was a surprising choice: partly because no woman had been hired before, and partly because she was unpopular with journalists. Nonetheless, she took the calendar in a distinct new direction: choosing petite models, and creating delicate images filled with feminine intimacy. Many of Pirelli's calendar customers complained that the 1972 calendar had 'lesbian' qualities.
From here on, the calendar became as much about story-telling as sex.
![]() |
| Uwe Ommer, 1984 |
![]() | ||
| Bert Stern, 1986 |
![]() | ||
| Arthur Elgort, 1990 |
![]() | |||
| Clive Arrowsmith, 1991 |
![]() |
| Richard Avedon, 1995 |
![]() |
| Bruce Weber, 1998 |
![]() |
| Mario Testino, 2001 |
![]() |
| Nick Knight, 2004 |
![]() |
Mert Alas and Marcus Piggott, 2006 |
![]() |
| Patrick Demarchelier, 2008 |
Depending on how good (or bad) the documentary is, I'd like to revisit this topic, looking at each year in-depth. The calendar reflects changing perceptions of beauty and taste. There's a lot to discuss!
By the way, this post will feature tomorrow on Irish Fashion Blog What Will I Wear Today, where I've recently become a guest blogger. It's a great site - check it out!
The 2011 Pirelli calendar was shot by Karl Lagerfeld in Paris earlier this year. It features Isabeli Fontana, Heidi Mount, Bianca Balti, Lara Stone, Natasha Poly, Iris Strubegger, Elisa Sednaoui, Magdalena Frackowiak, Julianne Moore. It will be unveiled in Moscow on the 30th of November.
Wednesday, October 27, 2010
Alex Box
"Fashion statement" is one of those phrases used so often that it's meaning is forgotten. "Statement" indicates there is something to say.
Branded as a pretentious and vaccuous industry, many fashion statements do seem to be purely aesthetic. But sometimes, there is a sense that it's saying something. That's what I thought when I first came across the work of makeup artist Alex Box.
According to her blurb: "Alex Box gives full access to images which radically unsettle and deconstruct conventional images of beauty in fashion." My background is film, not fashion, yet from my lay man perspective, I do feel the thick layering of the makeup hints at the exploitative aspect of the fashion industry.
Irrespectively, the result is beautiful. When Box paints, the face becomes a canvas, the image is a work of art. Originally an installation artist, she's brought the three dimensional quality of video to these paintings on the face.
One year ago today, the first exhibition of her work (captured by the infamous fashion photographer Rankin, and later published as a book of photography), was launched. I thought this would be an apt day to share it with you. Enjoy!

Branded as a pretentious and vaccuous industry, many fashion statements do seem to be purely aesthetic. But sometimes, there is a sense that it's saying something. That's what I thought when I first came across the work of makeup artist Alex Box.
According to her blurb: "Alex Box gives full access to images which radically unsettle and deconstruct conventional images of beauty in fashion." My background is film, not fashion, yet from my lay man perspective, I do feel the thick layering of the makeup hints at the exploitative aspect of the fashion industry.
Irrespectively, the result is beautiful. When Box paints, the face becomes a canvas, the image is a work of art. Originally an installation artist, she's brought the three dimensional quality of video to these paintings on the face.
One year ago today, the first exhibition of her work (captured by the infamous fashion photographer Rankin, and later published as a book of photography), was launched. I thought this would be an apt day to share it with you. Enjoy!

| Box even has a place of pride on my bedroom wall :) |
Labels:
Alex Box,
Art,
Beauty,
Book,
Creativity,
Fashion,
Inspiring,
Photography
2
comments
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